from:
Twenty Edges / Riddles*
1. World
And the woman of the wide
shoulders and the man of the weary view came into this
famous series to get the best of both the flesh and the devil.
And the devil was a class act:
“How goes this whole weariness with you, man? Are
you
dead to the known? And woman, are you other? Bring your cup into the
Bank.”
And the devil was out of this
line. And the devil was the end.
And the man and the woman
looked as if what was to come was war all over:
“What in the…!”
And language made a champion
of difference.
And his wife looked for all
the politics, and carried the weight of the politics, shaking,
without end.
4. Rain
The forests of tropical clouds
fall –
warm drops of praise.
The worm bows to the bird,
caught in a hard storm of
proof.
Cats and dogs check if water is
going to dance off the day –
it washes off her coat,
down her cheeks:
‘Why does it always
shadow or shine on me?
6. Snow
If the abominable storm falls…
the leopard lines up the goose
the bunting drops over the
berry
the owl drifts over the white
light
the ball bounds over the boot
the man ploughs over the field
in cap, shoes
the blind blink…
and the flakes drop.
7. Water
Cast your clock upon the wheel
like power off a duck’s back.
Carry your tortures under the
bridge
like biscuit borne to the butt.
Supply your life down the line
like lavender in the high
meadows.
Soften your wings over
troubled courses
like nymphs over the cress.
Mark your way over the main
holes,
like a boatman on the levels.
Heat your tower. Cool your
closet.
Mill your melon. Pipe your
weed.
Colour your gate chestnut.
Colour your table lily.
First proof of your eyes:
to make your eyes diviner.
First proof of your mouth:
to make your mouth the meter.
12. Horse
To whip around the latitudes,
to race around the block.
To whisper straight from the
mouth,
To break the shoe in the box.
To guard the brass,
to trade in clothes and cart.
To back the powerful woman,
to play the soldier man.
13. Rose
The name of the lover is
Sharon:
Sharon is a lover is a lover
is a lover.
The chafer is in Sharon’s
cheeks –
even love has its rocks.
Sharon is not in the garden,
but near
the bay window, looking
through
English-tinted spectacles as
red as Christmas;
as white as the water of love.
It’s love all the way between
two thorns –
the hip wars of love.
Sharon cuts the bowl of buds.
Everything’s coming up madder.
18. Stars
You can thank your lucky
stripes
you were born under a
wandering gaze.
You can thank your spangled
chamber
you were awarded five little
points.
Apple of David, Fruit of
Bethlehem,
you are the pupil-shaped light
of the show.
You cross my route; turn my
banner;
twinkle and bless my studded
shell.
*These riddles are written using the OuLiPo technique of ‘Edges’ 1 – a
form of riddle conjuring presence through absence and whose subjects
are revealed by word association alone. Each riddle is composed around
a subject that is entirely represented by other words commonly
associated with it. Neither the subject word, nor any other extraneous
words appear. Each riddle was composed using word associations taken
from The Concise Oxford Dictionary
of Current English and has a subject taken from nature.
1. after Michèle Mètail:
Poèmes du vide (Edges: Poems of Emptiness), 1986, cited in Brotchie,
Alastair and Mathews, Harry. OuLiPo Compendium. London: Atlas Press.
1998.
|
andybrown
is Director of the Centre for Creative Writing at Exeter
University. His recent books are Fall
0f the Rebel Angels: Poems 1996-2006 (Salt, 2006) and Goose Music, co-written with John
Burnside (Salt, 2007). Previous books are Hunting the Kinnayas (Stride,
2004), From a Cliff
(Arc, 2002) and of Science
(Worple, 2001, with David Morley). He edited The Allotment: New Lyric Poets (Stride,
2006) and Binary Myths: Volumes
1&2 (2nd edition, Stride, 2004). Andy Brown was originally
an Ecologist, a discipline that informs both his poetry and his
criticism, which appears in The Salt
Companion to the Works of Lee Harwood (Salt, 2007). |