michelle detorie | ||||||||||||||||||||||||||||||||||||||||||||||||||||
OVAS IN THE HUM You, apiary, brimming with the fuzz-buzz of yellow, the skeins of swelter, womb of churn and thrum. Gossip in caverns shaped by appetite secret strings wound in golden coils, cymbals shined and tipping like glass clocks toward windows, machines. Unlocked boxes all shuttered with false calm and them bloomed – winter skins written over with summer glyphs, carapace textics. Hived coven beyond the bear. Red wound of the eye within the amber ovens loosened for noise sappy hollows bared without pining. Swollen vowels neither well nor vessel but one thousand wheels, spinning. IMMACULATE SLUTS Thin as a match, the thing you wished for perched in a tree and tuning. It was a wing sliding silver-finned between the lining of the world you imagined turned in, yourself at the center glinting as the belly of a fish slit open, eye of the sea split and spilled like a bowl of black glitter, sand in the glass still singing. The smooth heat you've exerted could hardly scratch all her surfaces -- the clean mirror you've licked. Invented by her, you're made pink and windy. That's you breathing in the corner, centerfold of insolence, unzipping your double, the tree springing silver-leafed from your lips, shivering with answer. ELEGY FOR A SLEEPWALKER I mourned the death of my half- sister long before she was born. This began when I discovered a rabbit’s frail bones in a bed of pine straw. I began to bury stones beneath the fringed gaze of the perennials — gladiolas and asters. Her breathing I discerned in a bowl of milk. I chose clothes that would be hers when I outgrew them. For months I drew her inside a belly — I drew her — an outline— a body beneath fallen petals. SONG FOR THE UNBORN BROTHER I pull leaves from his hair as we approach a creek's edge. He is wearing white. He is so thin you could shine a flashlight through him. My impulse is to rinse him in the water, to lift him out like a clean shirt and stretch him over a bright rock. Like milk, light curls through the water's folds. He wants to know how it feels to be water. We nudge each other in the breeze. Feathery seeds, loosened from the poplar, drift out. FLINTHEART, PLANCHETTE Dirty dove, I loved you even when you ate the heart of a deer — sliver of dark meat quivering on your tongue-tip, heart- ache wrought from the tip of your knife. The most tender flesh. That which you taste only just after it dies. Barely dead it bled to death still beating in your hands. Beheld: the doe and her fawn, the black hooves knocking the blue glass of the ice, the thicket lined with the fur of a hare, the circle of chalk where she stood just before she fell. Arrowhead — heart-shaped bird — feathers flared at your tail — that which guides you. One heart always seeking a place to dive — always seeking another with its same beat. For a moment we moved in the same breast — tongue-tooth to tongue-heart — heart mouth to mouth with all our jagged red teeth. |
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michelle detorie lives in Goleta, California where she edits Womb and works with rescued seabirds. Her poems have appeared or are forthcoming in Foursquare, Chelsea, Typo, and The Tiny. She is a 2007 NEA Literature Fellow. More: | ||||||||||||||||||||||||||||||||||||||||||||||||||||
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