HARE
SMALL malachi
from a thin country darting through
rivulets,
or as large as scree clouds looming at night
the speed
telling,
only.
Called up by December green, unseasonal, in long lines.
Fitting
the lines the length of a span, the leap from
there
under the yews,
to this
place. Sudden shift, when legs are collected under,
a coil
where not being is this instant of generation, pushing
out, in
tensile
covenanting
with the next minute. Where joy is, but in
unknowing.
These small brown limbs flung far, broadcast,
followed.
Where the
eye fails, and rain falls in grit pinions, it holds
you to
coordinates, a hunt begins. Horns sound, alarms,
low
aircraft traffic, all
drum out
of thickets, skeins of light, noise beating
to send
them all rising to be picked off. Do they run
even in
grey places, among
pelts of
road kill, the scavenging of organs. Wings
take to
the air from tangled spaces. Sometimes there is singing
or lips
are soldered, as if peace
arrives.
Running only in dreams, or in the reveries
of
motorway borders, the fields stretching like a haunch,
pursued,
is
returned to the head of the stream by the lych-gate
runs to
return there. But hangs in the air over isles
of
dogs, a quarry and
the pace
of provocation, in long alert, waiting
to set
intent in motion, anticipating hills, a flow
without
protection, naked, to itself.
WAKES
with eyes open, as he was born, stubble
formed
and seven feet before the mirror, shaves
long ears
rough
as
tongues, as a rasp. She or he wakes also, finds
a comfort
in his form, pricked up as high as he can go,
auricular
erection,
listens to voices. Deep inside that hurdy-gurdy
of a
barrel chest, is a threshing box, is an engine
cranked
to beat
rudely,
to answer lungs. The length of his thighs
propped
against the sink, does she or he span them
knowingly,
or
remember
the dark place, where they were last
surprised,
the burr, the patches on the moon are
rank
scent
rising. The point where fullness is a day shadow.
Its pearl
blush, that she or he would think it vulnerable,
only to
discover
with
night, its beacon shining. Scalding skin,
clouds
boil away, leaving in desire
she or he
precipitate.
Is there a thought of husbands
in that
look. Is that look the thought owned by
no-one,
moving
in its
own accord. Does it cut across his shoulders,
the nape
and clavicles, reflected, in nocturnal
relinquishing,
in quiet
release.
She or he turns over, he reaches eight
feet to
the tip. Looms powerfully, is deep in his
imagining.
BREATH
on the heels is damp and hot, where
he skims
the stream, tracking the length of a road
twisting,
showers
arrive
violently. Heat, and the birds scatter in blue
and
copper, their heaviness dropping in the air, or
congregating,
as hens
might,
their cries are stones grating. Thought is not
diagonal
but round, a place of cockpits. It lies low,
in
daylight
equal to
the land. Night rises from the peat, drummed
up, it
takes uncertain routing, never alike. Whales
founder
in the
meadow. Leave their rib cage behind, panting, as if
the dive
takes all they have to give, needing
lightness.
Small
malachi finds a blow hole in the dusk, lifts,
is
lifted. Spewed up, spins in shards and bones, sprung
as a lock
picked by
uncertainties. Does remain, or takes to his limbs
leagues
out, when the frenzy is upon him, though
not of
his frame,
its own
making. Palpitations in a beating heart, responding
to the
call of anxious breezes, the inconstancy of
prediction,
is
a thunder
of feet pursuing. Is what excites him, sets him
a kilter,
the juddering of a plate on a stone floor, it
wheels
and
clatters. He streaks, to himself in the flow of things,
brown as
matter, is liquid as a trick of the eye in its
instancy.
OVER
underground rivers, waterlogged light of a low
sun, he
strides out. She or he sees him go, watches
shadows
lengthen
until. His reach is long and thin, pectorals
wasting
in the day, spindles the length of the street,
reels
she or he
along. Wire in the blood, nicks some inner
heart,
tears it slightly. Does he lope, now, out of earshot,
wordless
greeting,
sssup! from a doorway, slaps his palm. Towards
the
squawk of traffic, dull interference drowns
intimate
recognisings,
how do they know him. She or he sits
conjuring
remonstration, steam rising from the cup.
Or is it
some
extended sharing. You know his enormity
(it is
really mine to see), she or he explains, I give you
permission,
yet.
It is not
sought. Where the land lifts, as if once,
under the
concrete carapace, there was an order
of
belonging,
is not
the path of the river. Where the hill rises
there is
no hill but is a memory of uplift, as if it sticks
in the
craw,
a
geometry ruminated but refusing transposition,
to be
broken down, it remains to be stumbled over.
He is
a seven
league animal, strides above declinations
and
roots, the gouts of tarmac, that is why they
hail him.
NOW he
is abroad. Frost arrives in the hills in air
declensions,
it falls and has fallen, it limes, stains
inside
the air
are cold
fingers. He halts, arrests in thickness
of
breathing, as if an elemental reversal is caught
half
abandoned
by the morning. Where he waits to catch
its
turning, his pelt whitening, returns to brown
as ice
retreats.
It is a
thought of opacity. Small malachi takes cover
under the
thought, in the clearness of December skies
exposed
but
dreaming of densities, the shadows in glass, runs
circumferences.
Where his feet touch lightly. Tracks
burn
through
the crust of the earth, pressed to lips, the grass
snaps and
rots, does it lose protection. Where feet
fall.
Darkly
underfoot. Mire and bitterness in green,
depth of
what he scrambles from, the opening
of
fissures,
rents in
the pasture, echo. Past movement of glaciers,
the
shattering of rocks, caves slit on the hillside
as a
rawness.
Below in
the comfort of grass, where he surprises
its
illusion with small feet. Running on ice, finds
survival
is a
matter of propulsion, a meniscus, given to
curvature.
Where intimacy finds duration, there feet
fall.
TOO
late to call him home. Night is his business,
is his
singular condition, he ranges. Lowing of city
foxes
repeats,
echoes as stones do struck by interminable
chain
gangs, are they banshees teetering on the train
tracks.
Screams
of love. She or he rings without reason,
texts Wil
u b back b4 dawn, hears distant hubbub,
picks
up the
frequencies of streets. Where nostalgia is,
a matter
of nocturnal drones, machine pitch,
reluctant
bells
rousing
the brick to tune in the pain. Releases
orange
light as if summer comes on in cold heat,
forced
ripening.
Too late, and too much similitude. Striding,
erect as
a man might. More erect, equal to arches
and
scaffolding,
his chest
is high, it is impregnable, you could lay a head
down and
listen to the slowness of a drumming heart,
beat
that she
or he should hear, the systole of it, in sleep.
Does
blood course like a ring main. Rush and eddy,
block
the ears
with the roar of meltwater. Cars boom
around
the block. Taller than ten fathers he never
had,
slouching
towards. Eight feet of monument, he rolls
unblinking.
R u there, vainly. Height of roosting
birds.
STARTLED,
fly up. Fog lifts, in its membranes the firs
of frost,
exposed, are woody veins and stems. Heaviness
arrives,
thunder
of flesh impelled, and hooves. A hunt begins,
there is
always the lag of commotion, distant intention,
trumpets
try to
cut to the quick. Hounds head off in some dog
turbulence.
Traps are sprung, peremptory logic in the bracken
extends
arrogance,
expects
yews to begin growing again at its blood
instruction.
Whip. Small malachi senses the crack
before
it
undulates in the air, feels his backbone ride the wave,
is off
before his limbs know it. Shifts in the undertow,
evading
the love
of mastery, how it cuts like a scythe. If it could cut
it would
peel his pelt like a Christmas orange, leaving
whiteness,
its
bitter pith. Or shave him close, docked and punished,
tossed to
the scrum. Do we love rites of suffering
enough
to sport
with the inconsequential. He does not know,
there is
art in the abandon of him, it is all his own, voices
parrying.
Today
there is a gnashing of teeth. Sweat is sleek, it makes
him dark,
ringstraked, as if the wild is in dialogue. Heaviness
arrives,
he shoots
and ignites, as will does. Teeth champ and chunter,
bells and
bridles, abstract streaks of shouting. Is there possible
shelter.
OUT on
the Rye it is dark graininess. Corpuscular light
is shiny
close by, no texture to it but the gleam of wing
mirrors,
beat
of strong
engines, it vibrates without lenses. Skin is not multiple,
it is
what is, it shakes and stutters actually. Pores are
cavernous,
yet
distance
is a skulking, it adjusts. Where does that glance go.
Where
will it go, and what is its accounting, see him walk
by
with
others, spilling out. She or he is shut off for the night, is
slumbering,
to go home to. In the morning to wake also,
in
comfort
and homecoming. When wings fly up they cause
consternation,
the panic of expulsion from small spaces.
Catch
a beating
gentle body, and release it into generous air. Does
it sleep
in falling, still. Yes they do release into his strong arms,
he rocks
them
gently, his brothers, they are all his kin, would he
carry
them if they tired. Sometimes he is as big as
houses.
They
could live there. Voices ask what do you look at, man.
Red
afterseam of tail lights, unblinking shine of rain,
footsteps
running
are something saved in water. Voices are high, they
break in
age and reckoning, shout, making weirs and
sluices.
It is two
a.m. and he feels its appointment, its regrouping.
Is it a
show he has seen before, a calling out, such instinctive
voiceover.
BREAKING
from the line, the cover of trees, he is run
to
ground. There is only form, a hollowed out
gesture
of home,
it is not enough. To stay him, the catcalls of
flying
things, long langorous wings, mock in duration
contrarily,
where
he is a
bolt, a brown impulsion towards. Ending is unthought,
it is a
simple falling, where flesh begins, in steadiness
it goes
on
or it
does not, even and. There is reflection in naked water,
it meets
at the centre, sometimes in stillness. Where he might
enter,
on
occasion. Yet he. Leaps from adjacent places, where
the
clarity of contours astonishes, the length of a valley
graven
by
doggedness of ice is the line he runs. Is it a keen line cut.
Ending is
unthought, it is a place of imperceptible hungers
pricking
continuously,
the numerousness of fog, kinds in pursuit, it lasts
as a fold
persists, turning over inward. Minutes are endless
catching
in to
flutes and skirting. The repetition of beating arrives,
drums up
resinously, it fills the morning with boughs and
disquiets,
drags
trophies behind. Trumpets fuse to mouths
in hot
breath, bugles stifle, nothing calls out knowingly
while
betraying.
It is not
a simple falling. Small malachi is a lamb folded
in a thin
place what remains is not a saving however
you
regard it.
IS
it guns they bring in urban standoffs. Tell the nature
of facing
out, do they rise to seven feet of him, the affront
of ears.
They
return in a hunting beyond amalgamations of childhood,
bones
stretch and voices stagger in a craking of mechanical
birds,
are
alarums. Sour milk, sweat of skins refracted in night
gloaming,
points of cold pain rush through in the way fear
arrives
like a
thorn bush. What are you doing here, man, looking. Skin
extends
as the earth does, it has its curvature, the body of a mother
never
owned is
a comic book salvation, heroics are her blue cloak.
At night
its folds are darker, warm as a salve, you might
turn
shadow,
or
venture invisibly. See they are armed with voices also. Drummed
from
undergrowth, the possibility of acquisition in a world
without
weakness
is
something to be fought for in oil and bonuses, territorial gleaming.
Gunned
down. Gunned down. Is gunned down. Has been gunned
down.
Look. She
or he is quieted. Now he stands unblinking as he was born,
exposed
in his form, kin to himself, without community, is
cacophonous
as a
crowd lifted, he spreads their assignations before him. Is it
a
forcefield shouldered to tumultuous recognition, is he the greatest
wall
seen from
space. Laid out, his legs are leagues. His child’s feet poke
over the
slab. Is he a hare loosed, chasing in long lines, does he still
want
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